"Amid big sales, celebrity guests and talking‑point toilets, confidence was the prevailing mood at Frieze London.
Beyond the tents, Minor Attractions, a “transgressive” satellite fair, occupied the gleaming Newman Hotel in Fitzrovia. I drifted through bohemian suites with bedposts modelled on Nancy Cunard’s bangles, to view works nestled among slick furniture: Léa Porré’s weapon-pierced jellies (Tache) and Max King’s ominously altered slot machines (Plicnik), and Moses Tan’s mechanical paws (Starch)."
By Izabella Scott.
